English version
{"type":"Banniere-Haute"}
Gilles Lellouche's long, exhausting love thriller is overblown and hick-adjacent, but its excessiveness somehow hits a paradoxical nerve.
A rising star on the French art film scene, Vassili Schneider answers a few questions about his early career. In Cannes for The Count of Monte Cristo by Matthieu Delaporte and Alexandre de la Patelliere, the actor already has a fine filmography, including Valéria Bruni-Tedeschi's Forever Young and, more recently, Adrien Beau's The Vourdalak.
Gints Zilbalodis presented his second animated feature film in the category Un Certain Regard.
The revelation of Sean Baker's “Anora” and the likely winner of tomorrow night's Prix d'interprétation, the actress talks about her city, Los Angeles, and her film dreams.
{"type":"Banniere-Basse"}
We finally manage to escape the sponsored beaches in order to plunge into a chaos of pagan street masses, folk dancing and karaoke.
Two master filmmakers in the official competition, Jia Zhangke and Miguel Gomes, are experimenting with an old Godard-esque dream: film something first, write a screenplay later. And they're sure to inspire up-and-coming talents such as Payal Kapadia
A guest unveils themselves by answering our nosy questions. Today, Virginie Efira, who no longer requires an introduction.
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All We Imagine as LightA film focusing on the round of desires that hovers in a constant state of grace and marks the birth of a great filmmaker.
Straddling, as always, the line between fiction and documentary, reality and imagination, exterior and studio, the director of “Tabu” is in the Official Competition at Cannes for the first time, with “Grand Tour”, a beautiful and romantic film, inspired by an anecdote from a book by W. Somerset Maugham.
The second feature film by Egyptian filmmaker and visual artist Hala Elkoussy, “East of Noon” is a lovely avant-garde mess that allows us to get off the beaten track.
In Alain Guiraudie's Misericordia, the actress is marvelous in her ambivalence and hushed irony.
In a variation on his previous films, Miguel Gomes creates a whirlwind epic of male cowardice.
Modern Love: how David Bowie's 1983 hit was the most-quoted song of the festival from start to finish - and why.
American filmmaker Sean Baker's new film tells the tale of a young sex worker becoming a modern-day Cinderella when she meets the son of a Russian oligarch.
