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With this neo-noir film that is as rugged as it is ethereal, Poggi and Vinel create a great piece about the traumas of our times.

In “Marcello Mio”, she portrays a version of herself in which she becomes the ghost of her father. The actress tells us about this particular experience, but also looks back on her childhood memories and intense relationship with the past.

A guest unveils themselves by answering our nosy questions. Today, Arnaud Desplechin presents his new film “Filmlovers!” in a special screening in Cannes. It is a highly personal film about his love affair with cinema and his own way of thinking. Between two fictional -autobiographical sections, the filmmaker interviews strangers about cinema; this time, we had fun turning the questions over to him.

Kevin Costner creates a grand western epic whose romantic scope does make up for the clumsiness within its details.

Brazilian director creates a sensual, intelligent second feature about São Paulo's LGBTQ+ youth.

By offering Chiara Mastroianni the part of her own father, Christophe Honoré provides the actress with a deeply moving role that feels like a second birth.

With The Other Way Around, Jonas Trueba makes his Cannes debut in the Quinzaine des réalisateurs with a stimulating and deeply moving comedy about remarriage.

As the festival reaches its midpoint, getting some rest is tempting, but that would be a rookie mistake. Let’s rather split the task and become, all of us together, one single entity: that of the night columnist of this daily issue. 

Initially conceived as a series before being co-produced for cinema screens by Saint Laurent Productions, the new film from the maker of Crash offers an approach to grief that is as innovative as it is disturbing while depicting a world plagued by conspiracy theories.

A guest unveils themselves by answering our nosy questions. Today, Rossy de Palma, Almodovar’s iconic muse.