Cannes 2024 – it is acceptable to call stars by their first name ?

One can wonder whether it is acceptable to call stars by their first name and pretend to be their friend; in any case, one can also watch the tension build as the end approaches.

Barry Keoghan – Lucky Man

After a few years as a slow-burn revelation, he went on to establish himself in leading roles, notably in Andrea Arnold's “Bird”, and soon at the top of Hollywood.

Noisy questions: Charlotte Le Bon

A guest unveils themselves by answering our nosy questions. Today, Charlotte Le bon, who stars in “Niki”, Céline Sallette's first film about the life of artist Niki de Saint Phalle.

“The Kingdom” - a languid and captivating anti-mafia film

With “The Kingdom”, a film co-written with Jeanne Herry and Julien Colonna proposes a languid and captivating anti-mafia film.

Cannes 2024 – “Good One” by India Donaldson or the very reality of ordinary sexism

With “Good One”, her first feature film, India Donaldson presents at the Quinzaine des cinéastes a film that is less wise than it first seems.

Cannes 2024 - On how to be a man in more ways than one

“Marcello Mio”, “Block Pass”, “Santosh”… These films question our identities by propelling the living into the place of their deceased loved ones.

Cannes 2024 – A sporty night in the heights of the city

After “The Substance”, body horror conquers the night of Cannes...

Mo Harawe revives Somalian cinema with “The Village Next to Paradise”

With “The Village Next to Paradise”, Mo Harawe delivers some invigorating news of young Somali cinema in an impressively masterful first feature, in which the gentle chronicle of a blended family mingles with the state of affairs in a country in crisis.

Sayyid El Alami : “The role of Malik Oussekine will remain the most important of my life”

Already spotted in the “Oussekine” series, he is extremely apt and moving in Antoine Chevrollier's “Block Pass” as an introverted boy who struggles to come to terms with the loss of his father.

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