Agnès Jaoui and the Bonitzer family: “Whatever we liked would surely have pleased her”

Having passed just after the filming of her film Ma vie ma gueule, in which Agnès Jaoui portrays the filmmaker's fictional double, Sophie Fillières had entrusted to her children Agathe and Adam Bonitzer the editing of her film.

“La jeune femme à l'aiguille” : gratuitous violence or radical proposition?

Inspired by the true story of a Danish female serial killer attacking children, the film is a complacent inventory of horrifying imagery.

Judith Godrèche : “to tell the tale of silence”

In a short film directed around a thousand women and men who were victims of sexual violence, Judith Godrèche orchestrates a symphony of motions to depict the prison of silence.

Does “Furiosa” live up to “Mad Max: Fury Road” ?

The newest iteration to the saga by George Miller is not another “Fury Road”; it is something else entirely. In the pared-down Wasteland, a nearly mute Anya Taylor-Joy and her troops pillage and loot their way through, as so many video game characters in their sandbox universe.

“Les fantômes” - Jonathan Millet presents a brilliant first film on exile

Introduced in the opening of the Semaine de la critique in Cannes, Jonathan Millet’s first feature film is a brilliant work which, while telling the tale of the hunt of an old Syrian war criminal by a secret organisation, manages to accurately depict the feeling of exile.

“When the light breaks” - What is worth the Icelandic film which opens Un Certain Regard?

The sun rises over a long summer day in Iceland. From one sunset to the other, Una, a young art student, finds love, friendship, sorrow and beauty.

Introjection (ecstatic)

… It is therefore both exciting and essential to turn our attention onto current cinematographic creation, as it is presented - amongst others - in the Cannes film festival. This is the aim of this new form of the Inrocks in Cannes, a daily issue that will feel the pulse, over ten days, of an essential festival, of the films being produced nowadays in France and abroad, of those who make them, who watch them, who discuss them. 

With “Le Deuxième Acte”, Dupieux proposes an opening film that grapples with the current issues of the filming industry

With “Le Deuxième Acte”, Quentin Dupieux presents the festival with an opening that grapples to the point of vertigo with the many issues that currently animate the world of cinema.

Nosy questions : Camille Cottin answers

A guest unveils themselves by answering our nosy questions. Today, the actress Camille Cottin, mistress of ceremonies for the 77th edition of the Cannes film festival.

Cannes, day 0

The festival opens on an atmosphere of obvious tension which is reinforced by the upcoming thunderstorm. Beware of shining dogs.

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