A guest unveils themselves by answering our nosy questions. Today, Virginie Efira, who no longer requires an introduction.
What’s your first memory of Cannes?
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I must have been eighteen, and I remember coming to find funding for a Belgian film and being turned down at every party.
Your best memory of Cannes?
It was with Justine Triet’s In Bed with Victoria, because for the first time I felt part of a collective experience. We shared it all with great lightness and joy, except for Justine, who kept telling me on the red carpet, « I’m afraid we’re going to get shot.” I said to myself, if there really is a shooter, I don’t see why he’d choose the crew of a film selected for the Critics’ Week (laughter).
What’s your worst memory?
It’s also the best: when I heard my heart hammering even up to my ears before presenting the opening ceremony.
Any survival tips for Cannes?
Step aside. Relativize the seriousness and importance of things, starting with yourself.
What annoys you about Cannes?
What annoys me most is myself. I remember a moment when I’d lost a belt, and I remember flailing around as if a third World War had been announced! It was grotesque.
One of the films you’ve acted in that’s made you particularly proud?
I was proud to be with Paul Verhoeven for Benedetta. He’s a filmmaker I’ve adored since I was 20. Seeing him on the red carpet with a look that was half amused and half worried did something to me.
What excesses do you allow yourself in Cannes?
Excess of faith, because in Cannes you can really imagine that everyone is concerned with cinema, and that’s not true.
A secret place in Cannes?
It doesn’t exist! If anyone has one, please let me know.
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